Ali Vedad Yuner creates jewelry exploring portable geographic identity. Drawing from ecology and mythology, his work acknowledges human minuteness, acting as a link between the wearer and a higher power.
Exploring diversity and inclusion, he questions conventional jewelry norms. By combining unconventional materials like mushrooms, 3D prints, and silver, he crafts unique, wearable pieces that challenge traditional perceptions.
Focusing on the harmony between ceramics and jewelry, she explores the union of humble and noble materials. Her work transforms functional pots into brilliant ornaments, blending earth and water with silver.
Through porcelain rings, she explores how acts of care and ritual function as structures of discipline. The work examines the boundaries between intimate surrender and control.
Addressing ecological pollution and over-exploitation of resources, his work features recycled materials. The collection serves as a critique of careless consumption, emphasizing humanity's shared responsibility for the natural world.
Approaching jewelry as a meaningful public gesture, she creates fragile, wearable structures. Built from layered wood, dried bark, and oxidized silver, these pieces reflect the continuous effort to remain whole.
Drawing geometric designs on burnt, engraved wood, the observer measures lived experiences. The work explores hidden emotions, revealing life's truths, joys, and the sharp contrast between light and darkness.
Transforming the poetics of architectural spaces into wearable forms, she investigates how jewelry reveals unspoken narratives. Her work bridges the metaphysical and tangible, expressing the interrelationship between person and place.
Exploring the tension between wanting to stand out and fearing exposure, her work questions the need for perfection. Using paper, bark, and bronze, she creates organic jewelry relating to the body.
